Her more spe- cific objectiveis to capturethe Tokugawageographicconsciousnessor spa- tial sensibilitiesas they are representedin maps as well as texts, especially travelaccounts,both realand imaginary. Yonemotoaims to show how writ- ers, mapmakers,and artists helped shape the Japanesemapping of place and its relationshipwith identity and culture. Early Japanesemaps were patterned after Chinese cadastral maps. Then, in the late sixteenth century,missionariesintroducedWestern-style maps.
The mapmakingthatbecamea common governmentpracticebegin- ning in the earlyTokugawaperiod combined characteristicsof both styles. When the official maps were commerciallyreproduced,they underwent continual and numerous innovations.
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A thriving printing and publishing industrymade them plentifulby the earlyeighteenthcentury. But this con- ventionalcartographicenterpriseis only the startingpoint for Yonemoto's book. Her emphasisis on the travelnarrativesthat translatedmappinginto a literaryand imaginativeprocess- or a "geosophy," as she wishes to call it. The initialliterarytravelerswere governmentofficials. Then, duringthe Tokugawaperiod,in additionto samurai,daimyothemselvestraveledregu- larlyas the Shogunaterequiredthem to divide their time equallybetween theirhome domainsand Edo Tokyo ,the capital. Some of these high-rank- ing travelerskeptdiaries.
Later,as theywerejoinedby lesselitetravelers,travel writingsbecamemore diversified. In these writings,Yonemotodiscernstwo modes of mapping. The first,from the mid-seventeenthcenturyto the early eighteenth,was an annotativemode thatsoughta spatialorderin the human and naturalworldand emphasizeddirectobservation. The second,from the mid-eighteenthcentury through the early nineteenth,was an embellished.
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LONG Dr. It chartsnot only the emergenceand developmentof forms of nat- This content downloaded from Needham believed that a more thorough understanding of non- This content downloaded from By MarciaYonemoto. Berkeley:Universityof CaliforniaPress, The second,from the mid-eighteenthcentury through the early nineteenth,was an embellished This content downloaded from Robin Meredith-Kramer. Enrique Gomez. Maurits-Kirstin VBDonker. Ralph McTinklestein.
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